罗宾自幼没有母爱，他非常渴望得到母爱。在自己的车队里他是头头，但是在与对手交战的时候意外得知对手是他的姐姐们。而此时被他们车队打败的尼特罗队卷土重来......

　　萝卡从小跟着太空人爸爸生活，让她的个性无比独立，更有着不同于一般人的思考方式。在爸爸的安排下，萝卡搬回城市和外婆同住。第一天上学，萝卡就对校园和街头看到的现象感到吃惊。活泼勇敢的她决定采取行动，证明即使是小孩也有能力带来改变。

　　菲利克斯（杰尼斯·纽沃纳 Jannis Niewöhner 饰）是一个有魅力的年轻人，来自中产阶级家庭。某日，菲利克斯有机会在巴黎一家豪华酒店当电梯男孩，他毫不犹豫地离开了过去的生活。在酒店里，菲利克斯展现了熟练的适应能力，很快升到了领班服务员的职位。他似乎擅长让女客人们感到愉快，这使他在酒店业内取得了成功。
　　当菲利克斯和年轻的、不幸的路易斯侯爵（大卫·克劳斯 David Kross 饰）相遇时，两人决定交换身份。通过身份的交换，菲利克斯失去了他的挚爱扎扎（丽芙·丽莎·弗赖斯 Liv Lisa Fries 饰），她被另一个男人夺走。最后，菲利克斯以骗子的身份来到了里斯本的皇家宫廷，这可能是他魅力和欺骗技能的巅峰展示。

　　斯米尔和本是高速公路警察，他们接到命令保护凯瑟琳温蒂，一名建筑设计师。但斯米尔却陷入痛苦和绝望，因为他发现自己深爱的妻子居然和别人私通，这让斯米尔在执行任务过程中备受困扰，以至于他和女儿都被歹徒保卫陷入绝境。最然在关键时刻他在老搭档的解救下脱困，但他不知道的是这一切竟然是一个巨大的阴谋……

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

在上世纪80年代初的柏林，路德潜入普伦茨劳贝格区。他与神秘的娜塔莉相爱，过起了地下诗人与特工的矛盾生活。而这两种生活最终在30年后回响不断，困扰着他。德国导演林德·豪尔曼自编自导的新作，以荒诞不羁的喜...

　　影片讲述一个19世纪的巴西人，让庄园主的三个女儿都怀了孕后，被流放到西部非洲从事贩卖奴隶的勾当。他为了达到目的，跟当地人建立交情，甚至推翻了一个疯狂的君主，自立为王。几年过去了，他越来越有钱，也越来越大胆。

　　影片描述了一种反抗和犯罪的幻想、一种冲破束缚和摧毁一切的渴望。导演Herzog创造了一个全部由侏儒组成的奇异的革命世界，每个居民都是侏儒，当他们的朋友被富有的当权者挟持为人质时，大家决定要解救他，决定要反抗这个体制。随着时间的推进，整个行动从开始的解救行动渐渐变得混乱和暴力。看色情画报、放火、打坏东西、折磨动物，甚至把一辆汽车推入悬崖。随着侏儒们愤怒的大破坏和挂在脸上庆祝的微笑以及不停的大笑，奏起了非洲部落的音乐，映象奇异美丽之极……