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　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
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　　When she becomes a bystander to an unforgivable act of violence, Anna finds herself ensnared by Mr. Sandman – the twisted soul of a tormented child who haunts bullies’ dreams before feasting on their eyeballs when they finally wake.

宗教狂热份子丹尼尔在一次讲道中遭乱枪射杀，横尸太平间却奇迹似的死而复生，更遭莫名杀手一路追击。原来，丹尼尔是带有天使血统的半人半神，天堂的黑暗天使群起反抗上帝围剿人类，若菲尔更亲临人间直取丹尼尔的心脏，因为他，正是解救这场危机的唯一希望。 改邪归正的天使盖布瑞亚默默协助丹尼尔逃亡，但若菲尔挟持著丹尼尔女友紧追不舍，末世纪的预言就要成真，人间化为炼狱的翻搅梦魇不断浮现，人类的命运是福是祸，全仗著这背水一战……

　　《26种死法》系列的制片人组合再开脑洞，打造分段式恐怖电影。

　　《原始生活21天》将“适者生存”这句话提升到最新境界。每一周都有一对互不相识的男女身陷世界最极端的气候环境中。每一对双人组都会面对没有食物、没有衣服、没有水的孤立无援处境。他们必须自立求生21天，手中仅有一项个人物品，唯一可以凭靠的是他们的求生知识。这些英勇大胆的男女必须尽快熟悉彼此，探索周遭环境，他们先前学到的求生技巧和本能都将受到质疑和考验。

　　《红色羊齿草的故乡》（Where the Red Fern Grows）在美国是由迪士尼发行DＶＤ等影音产品，但是本片其实有点命运多舛，当初原本于1999年就制作拍摄，但后来由于制片公司经营上发生问题，本片就被束之高阁，直到2003年5月才首度在Tribeca影展上推出，影音产品的发行代理权利，则是由美国迪士尼拿下，于2004年推出。
　　《红色羊齿草的故乡》 改编自Wilson Rawls畅销多年的原名小说，过去早在1974年这部小说就曾经被搬上大银幕，该部同名的老电影在台湾的译名却是《风雨夺标》 。新版本的《红色羊齿草的故乡》同样是改编自原本的名著题材。本故事的背景是发生在全世界最棒的浣熊狩猎区──奥沙克山区，主角则是一位十岁的男孩Billy Coleman，他一直渴望能够拥有属于自己的猎犬，经过辛苦的工作，Billy终于如愿以偿，得到了他的一对猎犬－ Old Dan 以及Little Ann，在爷爷和爸爸的帮忙下，他将两只猎犬训练成受狩猎高手，男孩与狗在朝夕相处之下，也培养出坚定不移的深厚情谊。为了赢得当地人举办的浣熊狩猎比赛，Billy和爷爷、爸爸带着狗儿们进入山区，不料爷爷却不慎伤了脚，而且为了抓到决定胜负关键的浣熊，两只狗儿们义无反顾地冲入暴风雪中，担忧狗儿安危的Billy也随后而来，却遇到山区最令人胆寒的山狮，自己也陷入险境，幸好狗儿们及时相救他才能脱险…片中男孩与狗之间的真情颇为动人，观众随着主角Billy 一同经历生命中的欢喜与悲伤，体会生命与成长的课题。
　　本片由Lyman Dayton以及Sam Pillsbury共同执导，同时他们也是本片的编剧。在片中饰演主角男孩的是Joseph Ashton，他的父亲以及爷爷则分别由Dave Matthews和Dabney Coleman担任，母亲则由Renee Faia担任，其他演员还包括有Ned Beatty、Mac Davis、Kris Kristofferson等等，本片的配乐部分则是由Jeff Cardoni所负责。本片曾经在Heartland影展中获得Crystal Heart Award的殊荣。

圣诞节将至，克拉格林（肖恩·古恩饰）向银河护卫队讲述了勇度在星爵（克里斯·帕拉特饰）童年的一次圣诞节经历。螳螂女（庞·克莱门捷夫饰）与德拉克斯（戴夫·巴蒂斯塔饰）随后决定一起找一份完美的圣诞礼物，送给一直因为卡魔拉的离去而郁郁寡欢的星爵。